Canon
Showing 17–21 of 21 results
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Canon RF-S3.9mm f/3.5 STM Dual Fisheye
₹0.00Quick ViewVirtual Reality Storytelling
The lightweight RF-S3.9mm f/3.5 STM Dual Fisheye lens with Autofocus can capture 144-degree 3D stereoscopic visuals by utilising the parallax of the left and right fisheye lenses. This design allows a single sensor to receive light from both lenses, making it easier to record Virtual Reality content with just one camera.
- Dual-Lens STM Autofocus
- Streamlined Virtual Reality Production Workflow
- Large Aperture of f/3.5
Stepping Motor (STM)
The RF-S3.9mm f/3.5 STM Dual Fisheye has a gear-type stepping motor (STM) that utilises a dual-lens autofocus (AF) mechanism. This mechanism synchronously controls the movement of the left and right lenses.
AF becomes just as user-friendly as using a regular RF lens. An advanced microprocessor optimises the actuator control to align with the camera’s AF algorithm, resulting in fast and accurate autofocus.
Dual-Lens Electro Magnetic Diaphragm (EMD)
Both left and right lenses of the RF-S3.9mm f/3.5 STM Dual Fisheye feature EMD that controls exposure electronically.
The large aperture of the RF-S3.9mm f/3.5 STM Dual Fisheye performs well in low-light situations.
Two Types of Filters
The RF-S3.9mm f/3.5 STM Dual Fisheye has a rear filter holder that can hold either a gelatin filter or a screw-on (30.5mm) type filter.
Using a Neutral Density (ND) filter, you can shoot with a wider aperture even when shooting outdoors during the day.
ASC
Air Sphere Coating (ASC) is a coating technology that provides even more excellent anti-reflection properties than conventional vapour-deposition coatings.
Even with large-aperture lenses, ASC is used on curved glass surfaces to reduce lens flare and ghosting.
Adjustable Focus Differential
The RF-S3.9mm f/3.5 STM Dual Fisheye has an actuator that can independently drive only the right lens.
This enables the relative focus of the left and right lenses to be adjusted using the left-right focus difference adjustment mode switch and the focusing/control ring.
How Virtual Reality Imaging Works
Two Fisheye Lenses
Recording is done with parallax using two fisheye lenses on one sensor.
Conversion
The software converts recordings into equirectangular projections, a standard Virtual Reality format.
Projected to HMD
Cropped and converted recordings are projected into a head-mounted display (HMD) to simulate a human’s vision.
3D Realism
Due to the parallax effect, the recordings will appear 3-dimensional (3D) when viewed individually by the left and right eye.
Mechanism of Virtual Reality Recording
Single-Sensor Recording
With the RF-S3.9mm f/3.5 STM Dual Fisheye attached to the EOS R7 mirrorless camera, users can take advantage of the camera’s recording capabilities to create 4K 144-degrees VR footage by using just one camera on one sensor.
Two Cameras No Longer Required
Conventional VR recording requires aligning two cameras and syncing camera positions, with additional processes like colour matching and stitching required after shooting. The RF-S3.9mm f/3.5 STM Dual Fisheye and EOS R7 have a single-sensor recording capability, eliminating such hassles.
A More Efficient Workflow
The RF-S3.9mm f/3.5 STM Dual Fisheye enables recording on a single camera with one CMOS image sensor, thereby eliminating certain stages from the workflow that were previously necessary with a two-camera system, such as aligning the positions and synchronising the settings of the left and right cameras before the shoot, or the need to stitch images in post-production.
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Canon RF24-105mm f/2.8L IS USM Z
₹0.00Quick ViewVersatile Large Aperture Standard Zoom
The RF24-105mm f/2.8 L IS USM Z is the first RF lens to feature iris control, giving filmmakers precise control over their creative expression. With a small f/stop of f/2.8 and 11-blade circular aperture, this lens allows you to achieve that coveted cinematic out-of-focus effect. But that’s not all – the lens also boasts up to 8 stops of image stabilisation, making handheld shots as steady as if they were taken on a tripod.
The dual Nano USM delivers fast, accurate and quiet AF that is perfect for video recording.
- Large f/2.8 Aperture & Iris Control
- Image Stabilisation of Up to 8 Stops
- Dual Nano USM & Up to 0.29x Magnification
0.29x Magnification
The RF24-105mm f/2.8L IS USM Z has a short minimum focusing distance of 0.45m (at 105mm) that allows you to get some really amazing close-up shots with magnification of up to 0.29x.
Beautiful Bokeh
The f/2.8 large aperture produces beautiful bokeh. It also enables a faster shutter speed or lower ISO for low-light conditions. In addition, its unique 11-blade circular aperture creates an amazingly exquisite out-of-focus effect.
Image Stabilisation
The RF24-105mm f/2.8L IS USM Z provides up to 5.5 stops of image stabilisation with its in-built Optical Image Stabilizer.
The lens supports Coordinated Control IS which provides up to 8 stops of image stabilisation when used with compatible cameras that have In-Body Image Stabilizer. This makes it ideal for handheld low-light shots, which typically calls for a tripod.
Smooth Video Recording
With the powerful coordinated stabilisation between the lens’s Optical Image Stabilizer and In-Body Image Stabilizer of compatible cameras, get smooth natural-looking video recording even while walking.
Focus Breathing Correction
When recording videos, a typical phenomenon that occurs is a ‘pulsing effect’ in the footage whereby the camera’s angle of view changes slightly during focus racking. The RF24-105mm f/2.8L IS USM Z addresses this by compensating for the change in field of view when the focus point is changed, resulting in seamless video recording.
Three IS Modes
Introduced for the first time on a standard zoom lens, the RF24-105mm f/2.8L IS USM Z has 3 selectable IS modes:
- IS Mode 1 for stationary subjects
- IS Mode 2 for panning
- IS Mode 3 for subjects with unpredictable movement
Superior
Image Quality
With two Nano USMs, the lens focuses very quickly and silently, making it suitable even for movie recording.
When combined with the newly improved floating focus system, the lens is able to suppress focus fluctuation when zooming to deliver outstanding image quality throughout the focusing range.
The RF24-105mm f/2.8L IS USM Z delivers superior image quality throughout the image, including the edges, with its innovative design and optical configuration made possible by the RF mount.
Aspherical Lenses
The RF24-105mm f/2.8L IS USM Z is the first to use replica aspheric lens with glass-molded (GMo) aspherical lenses to achieve superior image quality. The replica aspheric lens delivers superior surface precision while allowing for more design possibilities, which contributes to keeping the lens small.
UD Lenses
This lens uses four single Ultra-Low Dispersion (UD) lens elements with low refraction and low dispersion, reducing axial and magnetic chromatic aberrations to deliver higher image quality.
Air Sphere Coating (ASC)
Air Sphere Coating suppresses ghosting and reduces flare from your images through the innovative use of an anti-reflection technology that forms an ultra-low-refractive index layer on the elements within the lens.
Intuitively
Designed
Power Zoom Adapter PZ-E2
The RF24-105mm f/2.8L IS USM Z embodies the essence of both videography and photography. The lens has been engineered to accommodate the Power Zoom Adapter PZ-E2 which allows the user to achieve precise zoom speed adjustments and smooth zooming.
You can attach or remove the Power Zoom Adapter PZ-E2 with simple tool, making it convenient in the field
Iris Control
This lens is the first among RF lenses to have an iris ring for controlling aperture physically on the lens. Similar to a cinema lens, the user can enjoy light, smooth torque and intuitive control over aperture and exposure adjustment.
Non-Extending Zoom
The RF24-105mm f/2.8L IS USM Z adapts a fixed length design that keeps its centre of gravity balanced. This will benefit those who are looking to use this for video recording with accessories such as gimbal.
Easy Detachable Tripod Mount
This new tripod mount is designed to be attached and detached without needing a unique tool, providing more convenience for those who may switch between shooting styles.
Lens Function Buttons
Two customisable Lens Function buttons on the body of the lens allow you to instantly access various functions related to AF, exposure, connectivity, and more.
Dust & Drip Resistance
The lens has a dust- and drip-resistant construction that keeps dust and water droplets out.
Fluorine Coating
A smudge-resistant fluorine coating is applied on the front lens, preventing moisture and oil from sticking.
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Canon RF35mm f/1.4L VCM
₹137,000.00Quick ViewCinematic Wide
The first RF lens to feature the Voice Coil Motor (VCM) in addition to a Nano USM, the RF35mm f/1.4L VCM results in ultra-fast and incredibly accurate autofocus performance that operates silently, making it ideal for video recording. Filmmakers can unleash their creativity using the physical iris control.
Apart from performing exceptionally well in low light, the large aperture of f/1.4 and circular 11 aperture blades will give you that sought-after cinematic bokeh.
Large f/1.4 Aperture & Iris Control
Voice Coil Motor (VCM) & Nano USM
Lightweight & Dust- and Drip-Resistance
Exceptional
Image Quality
The RF35mm f/1.4L VCM delivers superior image quality throughout the image, including the edges, with its innovative design and optical configuration made possible by the RF mount.
VCM & Nano USM
A Voice Coil Motor (VCM) is an actuator that converts electric into kinetic energy using magnetic field. The RF35mm f/1.4L VCM is the first RF lens to use a VCM. It drives the heavier focusing lens group, while the Nano USM drives the floating lens.
These two work together to deliver ultra-fast and incredibly accurate AF. The focusing is also very smooth and quiet, making it perfect for video recording.
Aspherical Lenses
By reducing spherical aberration and image distortion, the two glass-molded (GMo) aspherical lenses are able to produce images of superior quality.
UD Lenses
This lens uses two single Ultra-Low Dispersion (UD) lens elements with low refraction and low dispersion, reducing axial and magnetic chromatic aberrations to deliver higher image quality.
Air Sphere Coating
Air Sphere Coating (ASC) uses an anti-reflection technology that suppresses ghosting and reduces flare to deliver clear and high contrast images even when shooting backlit subjects.
Mesmerising Bokeh
The large aperture of f/1.4 produces beautiful bokeh. It also enables a faster shutter speed or lower ISO for low-light conditions. In addition, its unique 11-blade circular aperture creates a cinematic out-of-focus effect.
Superior Quality Up-Close
Capture exceptional edge-to-edge image quality even when shooting close-ups with up to 0.18x magnification at minimum focusing distance of just 0.28m.
Focus Breathing Correction
When recording videos, a typical phenomenon that occurs is a ‘pulsing effect’ in the footage whereby the camera’s angle of view changes slightly during focus racking. The RF35mm f/1.4L VCM’s floating focus control suppresses breathing optically in all focus positions, resulting in outstanding video quality with any EOS R camera bodies.
Intuitively
Designed
With a compact size of 99.3mm in length and 555g in weight, the RF35mm f/1.4L VCM is smaller and 27% lighter than the EF35mm f/1.4L II USM.
Iris Ring
The RF35mm f/1.4L VCM has an iris ring for controlling aperture physically on the lens. Similar to a cinema lens, the user can enjoy light, smooth torque and intuitive control over aperture and exposure adjustment.
Lens Function Button
A customisable Lens Function button on the body of the lens allows you to instantly access various functions related to AF, exposure, connectivity, and more.
Customisable Focus Ring
The lens has a dedicated focusing ring for manual focus that you can also use as a customisable control ring for various functions when paired with compatible cameras.
*dedicated control ring function is disabled if focus ring is used as control ring
Control Ring
Canon’s distinctive knurled control ring allows you to control AF area, shutter speed, aperture, exposure compensation, ISO, white balance, colour temperature and even Picture Style.
Rear Filter Holder
You can add a sheet-type filter behind the lens through the detachable rear filter holder and further stack other filters on the front of the lens to expand your creative expression.
Dust & Drip Resistance
The lens has a dust- and drip-resistant construction that keeps dust and water droplets out.
Fluorine Coating
A smudge-resistant fluorine coating is applied on the front lens, preventing moisture and oil from sticking.
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Canon XA65
₹172,995.00Quick ViewStreaming Ready
To meet the growing demand for online streaming content creation while keeping the same advanced core functionality and high-mobility form. The new XA65 offers high-quality 4K recording with newly added features such as UVC (USB Video Class), 1/5.84cm (2.3in)-type CMOS sensor, optical 20x zoom lens, improved LCD, EVF and USB power supply(PD-E1). In addition, this model is equipped with a 3G-SDI output.
Key Features
- 4K UHD 4:2:0 8-bit 25P/30P (PAL/NTSC) recording, XF-AVC and MP4 format supported.
- 20x optical zoom – 29.3 – 601mm (35mm equivalent), with 2 SD card slots & HDMI/3G-SDI output.
- 5-axis optical image stabilisation with Dynamic IS.
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EOS M50 Mark II (EF-M15-45mm f/3.5-6.3 IS STM)
₹66,995.00Quick ViewFlex Your Stories
Lightweight and stylish, the EOS M50 Mark II is fun and easy to use with Wi-Fi connectivity for content creators to stay close to your audience at all times. Keep your social media feeds lit with high-quality visual storytelling in 4K and accurate eye and face detection autofocusing.
Key Features
- In-camera YouTube live streaming for real-time video engagement.
- Film vertical videos in 4K for social media.
- Wireless connectivity with smartphone and cloud storage.
