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Showing 33–48 of 522 results

  • Canon E-52 II Lens Cap

    1,545.00
    0 out of 5

    Description:

    Protecting the front of your lens when not in use, the Canon E-52 II Lens Cap is a 52mm-diameter cap featuring a center pinch design along with the Canon logo on the front. When in place, this cap guards against dust, moisture, and scratches.

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  • Canon E-58 II Lens Cap

    1,840.00
    0 out of 5

    Description:

    Protecting the front of your lens when not in use, the Canon E-58 II Lens Cap is a 58mm-diameter cap featuring a center pinch design along with the Canon logo on the front. When in place, this cap guards against dust, moisture, and scratches.

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  • Canon E-67 II Lens Cap

    1,910.00
    0 out of 5

    Description:

    Protecting the front of your lens when not in use, the Canon E-67 II Lens Cap is a 67mm-diameter cap featuring a center pinch design along with the Canon logo on the front. When in place, this cap guards against dust, moisture, and scratches.

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  • Canon EOS 200D II (EF-S 18-55mm f/4-5.6 IS STM)

    68,995.00
    0 out of 5

    Jazz up Your Everyday Photography

    EOS 200D II is Canon’s lightest DSLR with a Vari-angle Touch Screen LCD. Weighing only a little heavier than a bottle of water*, the camera slides right into your bag for that everyday photography. Packed into its petite body is Canon’s 24.1megapixel APS-C CMOS sensor, DIGIC 8 processor and a bunch of features that would make snapping your everyday life seamlessly easier.

    First time incorporated into an EOS DSLR, Creative Assist and smooth skin feature would allow you to achieve desired effects on your photos and easily take picture perfect selfies. Stay connected to the camera with the Low energy Bluetooth connection and send images to your mobile devices as you shoot for ease of sharing.

    The EOS 200D II is designed for comfort with its deep grip and ergonomically laid out function dials. With Black, Silver and White to choose from, it is sure to adds a statement to your lifestyle.

    Key Features

    • 24.1megapixel APS-C CMOS Sensor
    • Dual pixel CMOS AF
    • DIGIC 8
    • 3 975 selectable focus positions (Live View)
    • EV -4 focusing limit
    • Eye Detection AF (One Shot & Servo AF – Live View)
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  • Canon EOS R5 Mark II (Body)

    0.00
    0 out of 5

    Imagine Bigger Things

    The EOS R5 Mark II has set a new benchmark for videography and photography, with many new AF features made possible by the new Accelerated Capture System.

    The EOS R5 Mark II has set a new benchmark for videography and photography, with many new AF features made possible by the new Accelerated Capture System. The in-camera 8K 60p RAW and 4K 120p recording with Canon Log 2 & 3 redefine the workflow for professionals.

    Capture spectacular 45MP images of decisive moments with Action Priority at up to 30 fps.

    45MP Full-Frame Back-Illuminated Stacked CMOS Sensor

    Accelerated Capture – DIGIC Accelerator & DIGIC X

    In-Camera 8K 60p RAW & 4K 120p Recording with Canon Log 2 and 3

    Shoot up to 30 fps with Eye Control AF & Action Priority Feature

     

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  • Canon EOS R6 Mark II (Body)

    243,995.00
    0 out of 5

    The Game Changer

    Seize the best of videography and photography with the EOS R6 Mark II. Capable of recording up to 6K 60p 10-bit RAW movies with HDMI output, this game changer provides you with the highest image quality and flexibility for post-processing.

    Key Features

    • The highly accurate 40 frames per second (fps) burst shooting ensures you capture every moment
      with full clarity.
    • Approx. 24.2MP full-frame CMOS sensor
    • 6K RAW HDMI out, 4K 60p (6K Oversampling) & FHD 180p
    • Up to 40 frames per second (fps) & up to 8 stops image stabilisation
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  • Canon EOS R6 Mark II (RF24-105mm f/4-7.1 IS STM)

    271,995.00
    0 out of 5

     

    The Game Changer

    Seize the best of videography and photography with the EOS R6 Mark II. Capable of recording up to 6K 60p 10-bit RAW movies with HDMI output, this game changer provides you with the highest image quality and flexibility for post-processing.

    Key Features

    • The highly accurate 40 frames per second (fps) burst shooting ensures you capture every moment with full clarity.
    • Approx. 24.2MP full-frame CMOS sensor.
    • 6K RAW HDMI out, 4K 60p (6K Oversampling) & FHD 180p.
    • Up to 40 frames per second (fps) & up to 8 stops image stabilisation.
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  • Canon EOS-1D X Mark III

    654,995.00
    0 out of 5

    The EXCEPTIONAL Game Changer

    Notably distinguished as the epitome of full-frame DSLR cameras for professionals, the Canon EOS-1D series creates a brand new masterpiece in their finest, class-leading flagship to date. A sturdy and reliable workhorse crafted to perfection for swift response, and intuitive focusing the Canon EOS-1D X Mark III offers superior image quality as well as breathtaking 4K video recording made for the most challenging subjects.

    Key Features:

    • UHD 4K 120p Video, 10-Bit 4:2:2 Internal.
    • 16-Bit Raw Output, HLG & S-Cinetone.
    • 759-Point Fast Hybrid AF.
    • 12MP Full-Frame Exmor R BSI CMOS Sensor.
    • 9.44m-Dot QXGA OLED EVF.
    • 5-Axis SteadyShot Image Stabilization.
    • Extended ISO 40-409600, 10 fps Shooting.
    • Dual CFexpress Type A/SD Card Slots.
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  • Canon Extender RF 2x

    55,995.00
    0 out of 5

    Extends a super telephoto lens’ focal length by 2x, so that an 800mm focal length, for example, becomes 1 600mm. The extra reach makes it possible to get larger close-ups with the original camera resolution.

    Key Features
    • Dust and Drip resistance design with white heat-shield coating.
    • Supports high-precision AF.
    • Excellent Flare and Ghosting Reduction.
    • RF-Mount Teleconverter.
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  • Canon Power Shot V10

    39,995.00
    0 out of 5

    A camera so small and lightweight that you might forget that it is in your bag. Create professional-quality 4K videos with ease using the PowerShot V10 with its 25.4-mm CMOS sensor with DIGIC X. Elevate your content using the built-in stand and microphone. With image stabilisation, record your vlog steadily, and the smooth skin tones feature will make you look amazing in your videos.

    Key Features:

    • UHD 4K up to 29.97 fps.
    • 19mm Equivalent Wide-Angle Lens.
    • Web Camera Compatible with UVC Support.
    • 460,000-Dot 2″ Touchscreen LCD.
    • Wi-Fi & Bluetooth Connectivity.
    • Vertical Capture Capable.
    • Built-In 30° Stand.
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  • Canon RF-S10-18mm f/4.5-6.3 IS STM

    0.00
    0 out of 5

    Featherweight Ultra-wide Zoom

    Capture stunning, immersive shots with ease using this ultra-wide angle zoom lens. Weighing almost nothing at only 150g and super compact, the RF-S10-18mm f/4.5-6.3 IS STM is perfect for when you’re always on the move. With image stabilisation* of up to 6 stops, you can achieve sharp handheld low-light shots and capture incredible close-ups with a magnification of up to 0.5x.

    *when paired with a compatible camera.

    • Featherweight at 150g
    • Up to 6 Stops of Image Stabilisation
    • Up to 0.5x Magnification

    Amazing Image Quality

    Through innovative design and optical configuration made possible by the RF mount, the RF-S10-18mm f/4.5-6.3 IS STM delivers exceptional image quality throughout the image, including the edges.

    Wide Perspective

    The ultra-wide focal length of 10mm (16mm for full-frame equivalent) that comes with the RF-S10-18mm f/4.5-6.3 IS STM allows you to capture a lot more. When compared to the standard kit lens RF-S18-45mm f/4.5-6.3 IS STM, this lens is capable of capturing over 3 times as much area.

    Convenient & Lightweight

    The RF-S10-18mm f/4.5-6.3 IS STM weighs only 150g and is so light that you might not notice it attached to your camera. The featherweight ultra-wide angle lens allows easy self recording without the need for selfie sticks.

    It is the perfect companion for those looking for lighter equipment.

    Compact

    At approximately 44.9mm long and 69mm wide, you will be able to keep the camera into your small bag without needing to detach the lens.

    Up to 6 Stops Stabilisation

    The RF-S10-18mm f/4.5-6.3 IS STM provides up to 4 stops of image stabilisation with its in-built Optical Image Stabilizer.

    When used with compatible cameras that have In-Body Image Stabilizer, the Coordinated Control IS achieves up to 6 stops of image stabilisation, perfect for those handheld low-light shots that usually require a tripod.

    Full-Frame and APS-C

    The lens is designed to work across the EOS R system, whether on a full-frame* or an APS-C camera, providing greater versatility.

    When used with both APS-C and full-frame cameras, the effective focal length of the RF-S10-18mm f/4.5-6.3 IS STM is 16-29mm (full-frame equivalent). This makes it suitable for everyday snapshots and self vlogging.

    *Reduced megapixel count due to cropping by a factor of 1.6x

    Stable Video Recording

    Get smooth natural looking video recording even while walking with the powerful coordinated stabilisation between the Optical Image Stabilizer and Movie Digital IS.

    Focus Breathing Correction

    When recording videos, a typical phenomenon that occurs is a ‘pulsing effect’ in the footage whereby the camera’s angle of view changes slightly during focus racking. The RF-S10-18mm f/4.5-6.3 IS STM addresses this by compensating for the change in field of view when the focus point is changed, resulting in seamless video recording.

    Wide and Up-Close

    Get a one-of-a-kind perspective when you can go up-close with an ultra-wide angle lens at a 10mm focal length. This unique combination allows you to achieve an immersive depiction of the subject for your viewers with magnification of up to 0.5x*.

    *at a minimum focusing distance of 0.086m at 10mm end (Manual Focus)

    STM

    Canon’s unique leadscrew-type stepping motor (STM) provides a smooth and quiet autofocus operation that is especially useful during movie recording.

    Dual Function Ring

    Canon’s distinctive knurled control ring allows you to customise it to change settings such as exposure compensation, ISO, shutter speed or aperture. The control ring also doubles as a focus ring.

    UD Lens

    This lens uses two Ultra-Low Dispersion (UD) lens elements with low refraction and low dispersion that reduce chromatic aberrations to deliver higher image quality.

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  • Canon RF-S3.9mm f/3.5 STM Dual Fisheye

    0.00
    0 out of 5

    Virtual Reality Storytelling

    The lightweight RF-S3.9mm f/3.5 STM Dual Fisheye lens with Autofocus can capture 144-degree 3D stereoscopic visuals by utilising the parallax of the left and right fisheye lenses. This design allows a single sensor to receive light from both lenses, making it easier to record Virtual Reality content with just one camera.

    • Dual-Lens STM Autofocus
    • Streamlined Virtual Reality Production Workflow
    • Large Aperture of f/3.5

    Stepping Motor (STM)

    The RF-S3.9mm f/3.5 STM Dual Fisheye has a gear-type stepping motor (STM) that utilises a dual-lens autofocus (AF) mechanism. This mechanism synchronously controls the movement of the left and right lenses.

    AF becomes just as user-friendly as using a regular RF lens. An advanced microprocessor optimises the actuator control to align with the camera’s AF algorithm, resulting in fast and accurate autofocus.

    Dual-Lens Electro Magnetic Diaphragm (EMD)

    Both left and right lenses of the RF-S3.9mm f/3.5 STM Dual Fisheye feature EMD that controls exposure electronically.

    The large aperture of the RF-S3.9mm f/3.5 STM Dual Fisheye performs well in low-light situations.

    Two Types of Filters

    The RF-S3.9mm f/3.5 STM Dual Fisheye has a rear filter holder that can hold either a gelatin filter or a screw-on (30.5mm) type filter.

    Using a Neutral Density (ND) filter, you can shoot with a wider aperture even when shooting outdoors during the day.

    ASC

    Air Sphere Coating (ASC) is a coating technology that provides even more excellent anti-reflection properties than conventional vapour-deposition coatings.

    Even with large-aperture lenses, ASC is used on curved glass surfaces to reduce lens flare and ghosting.

    Adjustable Focus Differential

    The RF-S3.9mm f/3.5 STM Dual Fisheye has an actuator that can independently drive only the right lens.

    This enables the relative focus of the left and right lenses to be adjusted using the left-right focus difference adjustment mode switch and the focusing/control ring.

    How Virtual Reality Imaging Works

    Two Fisheye Lenses

    Recording is done with parallax using two fisheye lenses on one sensor.

    Conversion

    The software converts recordings into equirectangular projections, a standard Virtual Reality format.

    Projected to HMD

    Cropped and converted recordings are projected into a head-mounted display (HMD) to simulate a human’s vision.

    3D Realism

    Due to the parallax effect, the recordings will appear 3-dimensional (3D) when viewed individually by the left and right eye.

    Mechanism of Virtual Reality Recording

    Single-Sensor Recording

    With the RF-S3.9mm f/3.5 STM Dual Fisheye attached to the EOS R7 mirrorless camera, users can take advantage of the camera’s recording capabilities to create 4K 144-degrees VR footage by using just one camera on one sensor.

    Two Cameras No Longer Required

    Conventional VR recording requires aligning two cameras and syncing camera positions, with additional processes like colour matching and stitching required after shooting. The RF-S3.9mm f/3.5 STM Dual Fisheye and EOS R7 have a single-sensor recording capability, eliminating such hassles.

    A More Efficient Workflow

    The RF-S3.9mm f/3.5 STM Dual Fisheye enables recording on a single camera with one CMOS image sensor, thereby eliminating certain stages from the workflow that were previously necessary with a two-camera system, such as aligning the positions and synchronising the settings of the left and right cameras before the shoot, or the need to stitch images in post-production.

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  • Canon RF24-105mm f/2.8L IS USM Z

    0.00
    0 out of 5

    Versatile Large Aperture Standard Zoom

    The RF24-105mm f/2.8 L IS USM Z is the first RF lens to feature iris control, giving filmmakers precise control over their creative expression. With a small f/stop of f/2.8 and 11-blade circular aperture, this lens allows you to achieve that coveted cinematic out-of-focus effect. But that’s not all – the lens also boasts up to 8 stops of image stabilisation, making handheld shots as steady as if they were taken on a tripod.

     

    The dual Nano USM delivers fast, accurate and quiet AF that is perfect for video recording.

    • Large f/2.8 Aperture & Iris Control
    • Image Stabilisation of Up to 8 Stops
    • Dual Nano USM & Up to 0.29x Magnification

    0.29x Magnification

    The RF24-105mm f/2.8L IS USM Z has a short minimum focusing distance of 0.45m (at 105mm) that allows you to get some really amazing close-up shots with magnification of up to 0.29x.

    Beautiful Bokeh

    The f/2.8 large aperture produces beautiful bokeh. It also enables a faster shutter speed or lower ISO for low-light conditions. In addition, its unique 11-blade circular aperture creates an amazingly exquisite out-of-focus effect.

    Image Stabilisation

    The RF24-105mm f/2.8L IS USM Z  provides up to 5.5 stops of image stabilisation with its in-built Optical Image Stabilizer.

    The lens supports Coordinated Control IS which provides up to 8 stops of image stabilisation when used with compatible cameras that have In-Body Image Stabilizer. This makes it ideal for handheld low-light shots, which typically calls for a tripod.

    Smooth Video Recording

    With the powerful coordinated stabilisation between the lens’s Optical Image Stabilizer and In-Body Image Stabilizer of compatible cameras, get smooth natural-looking video recording even while walking.

    Focus Breathing Correction

    When recording videos, a typical phenomenon that occurs is a ‘pulsing effect’ in the footage whereby the camera’s angle of view changes slightly during focus racking. The RF24-105mm f/2.8L IS USM Z addresses this by compensating for the change in field of view when the focus point is changed, resulting in seamless video recording.

    Three IS Modes

    Introduced for the first time on a standard zoom lens, the RF24-105mm f/2.8L IS USM Z has 3 selectable IS modes:

    • IS Mode 1 for stationary subjects
    • IS Mode 2 for panning
    • IS Mode 3 for subjects with unpredictable movement

    Superior

    Image Quality

    With two Nano USMs, the lens focuses very quickly and silently, making it suitable even for movie recording.

    When combined with the newly improved floating focus system, the lens is able to suppress focus fluctuation when zooming to deliver outstanding image quality throughout the focusing range.

    The RF24-105mm f/2.8L IS USM Z delivers superior image quality throughout the image, including the edges, with its innovative design and optical configuration made possible by the RF mount.

    Aspherical Lenses

    The RF24-105mm f/2.8L IS USM Z is the first to use replica aspheric lens with glass-molded (GMo) aspherical lenses to achieve superior image quality. The replica aspheric lens delivers superior surface precision while allowing for more design possibilities, which contributes to keeping the lens small.

    UD Lenses

    This lens uses four single Ultra-Low Dispersion (UD) lens elements with low refraction and low dispersion, reducing axial and magnetic chromatic aberrations to deliver higher image quality.

    Air Sphere Coating (ASC)

    Air Sphere Coating suppresses ghosting and reduces flare from your images through the innovative use of an anti-reflection technology that forms an ultra-low-refractive index layer on the elements within the lens.

    Intuitively

    Designed

    Power Zoom Adapter PZ-E2

    The RF24-105mm f/2.8L IS USM Z embodies the essence of both videography and photography. The lens has been engineered to accommodate the Power Zoom Adapter PZ-E2 which allows the user to achieve precise zoom speed adjustments and smooth zooming.

    You can attach or remove the Power Zoom Adapter PZ-E2 with simple tool, making it convenient in the field

    Iris Control

    This lens is the first among RF lenses to have an iris ring for controlling aperture physically on the lens. Similar to a cinema lens, the user can enjoy light, smooth torque and intuitive control over aperture and exposure adjustment.

    Non-Extending Zoom

    The RF24-105mm f/2.8L IS USM Z adapts a fixed length design that keeps its centre of gravity balanced. This will benefit those who are looking to use this for video recording with accessories such as gimbal.

    Easy Detachable Tripod Mount

    This new tripod mount is designed to be attached and detached without needing a unique tool, providing more convenience for those who may switch between shooting styles.

    Lens Function Buttons

    Two customisable Lens Function buttons on the body of the lens allow you to instantly access various functions related to AF, exposure, connectivity, and more.

    Dust & Drip Resistance

    The lens has a dust- and drip-resistant construction that keeps dust and water droplets out.

    Fluorine Coating

    A smudge-resistant fluorine coating is applied on the front lens, preventing moisture and oil from sticking.

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  • Canon RF35mm f/1.4L VCM

    137,000.00
    0 out of 5

    Cinematic Wide

    The first RF lens to feature the Voice Coil Motor (VCM) in addition to a Nano USM, the RF35mm f/1.4L VCM results in ultra-fast and incredibly accurate autofocus performance that operates silently, making it ideal for video recording. Filmmakers can unleash their creativity using the physical iris control.

    Apart from performing exceptionally well in low light, the large aperture of f/1.4 and circular 11 aperture blades will give you that sought-after cinematic bokeh.

    Large f/1.4 Aperture & Iris Control

    Voice Coil Motor (VCM) & Nano USM

    Lightweight & Dust- and Drip-Resistance

    Exceptional

    Image Quality

    The RF35mm f/1.4L VCM delivers superior image quality throughout the image, including the edges, with its innovative design and optical configuration made possible by the RF mount.

    VCM & Nano USM

    A Voice Coil Motor (VCM) is an actuator that converts electric into kinetic energy using magnetic field. The RF35mm f/1.4L VCM is the first RF lens to use a VCM. It drives the heavier focusing lens group, while the Nano USM drives the floating lens.

    These two work together to deliver ultra-fast and incredibly accurate AF. The focusing is also very smooth and quiet, making it perfect for video recording.

    Aspherical Lenses

    By reducing spherical aberration and image distortion, the two glass-molded (GMo) aspherical lenses are able to produce images of superior quality.

    UD Lenses

    This lens uses two single Ultra-Low Dispersion (UD) lens elements with low refraction and low dispersion, reducing axial and magnetic chromatic aberrations to deliver higher image quality.

    Air Sphere Coating

    Air Sphere Coating (ASC) uses an anti-reflection technology that suppresses ghosting and reduces flare to deliver clear and high contrast images even when shooting backlit subjects.

    Mesmerising Bokeh

    The large aperture of f/1.4 produces beautiful bokeh. It also enables a faster shutter speed or lower ISO for low-light conditions. In addition, its unique 11-blade circular aperture creates a cinematic out-of-focus effect.

    Superior Quality Up-Close

    Capture exceptional edge-to-edge image quality even when shooting close-ups with up to 0.18x magnification at minimum focusing distance of just 0.28m.

    Focus Breathing Correction

    When recording videos, a typical phenomenon that occurs is a ‘pulsing effect’ in the footage whereby the camera’s angle of view changes slightly during focus racking. The RF35mm f/1.4L VCM’s floating focus control suppresses breathing optically in all focus positions, resulting in outstanding video quality with any EOS R camera bodies.

    Intuitively

    Designed

    With a compact size of 99.3mm in length and 555g in weight, the RF35mm f/1.4L VCM is smaller and 27% lighter than the EF35mm f/1.4L II USM.

    Iris Ring

    The RF35mm f/1.4L VCM has an iris ring for controlling aperture physically on the lens. Similar to a cinema lens, the user can enjoy light, smooth torque and intuitive control over aperture and exposure adjustment.

    Lens Function Button

    A customisable Lens Function button on the body of the lens allows you to instantly access various functions related to AF, exposure, connectivity, and more.

    Customisable Focus Ring

    The lens has a dedicated focusing ring for manual focus that you can also use as a customisable control ring for various functions when paired with compatible cameras.

    *dedicated control ring function is disabled if focus ring is used as control ring

    Control Ring

    Canon’s distinctive knurled control ring allows you to control AF area, shutter speed, aperture, exposure compensation, ISO, white balance, colour temperature and even Picture Style.

    Rear Filter Holder

    You can add a sheet-type filter behind the lens through the detachable rear filter holder and further stack other filters on the front of the lens to expand your creative expression.

    Dust & Drip Resistance

    The lens has a dust- and drip-resistant construction that keeps dust and water droplets out.

    Fluorine Coating

    A smudge-resistant fluorine coating is applied on the front lens, preventing moisture and oil from sticking.

     

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  • Canon XA65

    172,995.00
    0 out of 5

    Streaming Ready

    To meet the growing demand for online streaming content creation while keeping the same advanced core functionality and high-mobility form. The new XA65 offers high-quality 4K recording with newly added features such as UVC (USB Video Class), 1/5.84cm (2.3in)-type CMOS sensor, optical 20x zoom lens, improved LCD, EVF and USB power supply(PD-E1). In addition, this model is equipped with a 3G-SDI output.

    Key Features

    • 4K UHD 4:2:0 8-bit 25P/30P (PAL/NTSC) recording, XF-AVC and MP4 format supported.
    • 20x optical zoom – 29.3 – 601mm (35mm equivalent), with 2 SD card slots & HDMI/3G-SDI output.
    • 5-axis optical image stabilisation with Dynamic IS.
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  • Celestron Landscout 12-36x60mm Angled Zoom Spotting Scope with Table-TOP Tripod and Smartphone adapter

    12,600.00
    0 out of 5

    Phone Compatibility:

    Any smartphone

    Compatible Optics:

    Fits all 1.25″ eyepieces or any eyepiece with an outside diameter of 45mm or smaller

    Included Items:

    Object Lens Cap

    Eyepiece Cap

    Tabletop tripod and Soft Carrying Case

    Solar Warning

    Never look directly at the Sun with the naked eye or with this optic. Permanent and irreversible eye damage may result.

    Never use your optic to project an image of the Sun onto any surface. Internal heat build-up can damage the optic and any accessories attached to it.

    Never leave your optic unsupervised. Make sure an adult who is familiar with the correct operating procedures is with your optic at all times, especially when children are present.

    Key Features

    • 12-36x magnification range
    • 45° viewing angle to observe comfortably for extended periods
    • Includes a smartphone adapter so you can capture images and video through the scope instantly
    • Rotating tripod mount places the orientation of the eyepiece in the best viewing position for application
    • Fully coated optics increased light transmission for bright, sharp images
    • Tripod adaptable for steady and comfortable long-duration or long-distance viewing
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