Lenses
Showing 1–16 of 28 results
-
Canon E-52 II Lens Cap
₹1,545.00Quick ViewDescription:
Protecting the front of your lens when not in use, the Canon E-52 II Lens Cap is a 52mm-diameter cap featuring a center pinch design along with the Canon logo on the front. When in place, this cap guards against dust, moisture, and scratches.
-
Canon E-58 II Lens Cap
₹1,840.00Quick ViewDescription:
Protecting the front of your lens when not in use, the Canon E-58 II Lens Cap is a 58mm-diameter cap featuring a center pinch design along with the Canon logo on the front. When in place, this cap guards against dust, moisture, and scratches.
-
Canon E-67 II Lens Cap
₹1,910.00Quick ViewDescription:
Protecting the front of your lens when not in use, the Canon E-67 II Lens Cap is a 67mm-diameter cap featuring a center pinch design along with the Canon logo on the front. When in place, this cap guards against dust, moisture, and scratches.
-
Canon Extender RF 2x
₹55,995.00Quick ViewExtends a super telephoto lens’ focal length by 2x, so that an 800mm focal length, for example, becomes 1 600mm. The extra reach makes it possible to get larger close-ups with the original camera resolution.
Key Features
- Dust and Drip resistance design with white heat-shield coating.
- Supports high-precision AF.
- Excellent Flare and Ghosting Reduction.
- RF-Mount Teleconverter.
-
Canon RF-S10-18mm f/4.5-6.3 IS STM
₹0.00Quick ViewFeatherweight Ultra-wide Zoom
Capture stunning, immersive shots with ease using this ultra-wide angle zoom lens. Weighing almost nothing at only 150g and super compact, the RF-S10-18mm f/4.5-6.3 IS STM is perfect for when you’re always on the move. With image stabilisation* of up to 6 stops, you can achieve sharp handheld low-light shots and capture incredible close-ups with a magnification of up to 0.5x.
*when paired with a compatible camera.
- Featherweight at 150g
- Up to 6 Stops of Image Stabilisation
- Up to 0.5x Magnification
Amazing Image Quality
Through innovative design and optical configuration made possible by the RF mount, the RF-S10-18mm f/4.5-6.3 IS STM delivers exceptional image quality throughout the image, including the edges.
Wide Perspective
The ultra-wide focal length of 10mm (16mm for full-frame equivalent) that comes with the RF-S10-18mm f/4.5-6.3 IS STM allows you to capture a lot more. When compared to the standard kit lens RF-S18-45mm f/4.5-6.3 IS STM, this lens is capable of capturing over 3 times as much area.
Convenient & Lightweight
The RF-S10-18mm f/4.5-6.3 IS STM weighs only 150g and is so light that you might not notice it attached to your camera. The featherweight ultra-wide angle lens allows easy self recording without the need for selfie sticks.
It is the perfect companion for those looking for lighter equipment.
Compact
At approximately 44.9mm long and 69mm wide, you will be able to keep the camera into your small bag without needing to detach the lens.
Up to 6 Stops Stabilisation
The RF-S10-18mm f/4.5-6.3 IS STM provides up to 4 stops of image stabilisation with its in-built Optical Image Stabilizer.
When used with compatible cameras that have In-Body Image Stabilizer, the Coordinated Control IS achieves up to 6 stops of image stabilisation, perfect for those handheld low-light shots that usually require a tripod.
Full-Frame and APS-C
The lens is designed to work across the EOS R system, whether on a full-frame* or an APS-C camera, providing greater versatility.
When used with both APS-C and full-frame cameras, the effective focal length of the RF-S10-18mm f/4.5-6.3 IS STM is 16-29mm (full-frame equivalent). This makes it suitable for everyday snapshots and self vlogging.
*Reduced megapixel count due to cropping by a factor of 1.6x
Stable Video Recording
Get smooth natural looking video recording even while walking with the powerful coordinated stabilisation between the Optical Image Stabilizer and Movie Digital IS.
Focus Breathing Correction
When recording videos, a typical phenomenon that occurs is a ‘pulsing effect’ in the footage whereby the camera’s angle of view changes slightly during focus racking. The RF-S10-18mm f/4.5-6.3 IS STM addresses this by compensating for the change in field of view when the focus point is changed, resulting in seamless video recording.
Wide and Up-Close
Get a one-of-a-kind perspective when you can go up-close with an ultra-wide angle lens at a 10mm focal length. This unique combination allows you to achieve an immersive depiction of the subject for your viewers with magnification of up to 0.5x*.
*at a minimum focusing distance of 0.086m at 10mm end (Manual Focus)
STM
Canon’s unique leadscrew-type stepping motor (STM) provides a smooth and quiet autofocus operation that is especially useful during movie recording.
Dual Function Ring
Canon’s distinctive knurled control ring allows you to customise it to change settings such as exposure compensation, ISO, shutter speed or aperture. The control ring also doubles as a focus ring.
UD Lens
This lens uses two Ultra-Low Dispersion (UD) lens elements with low refraction and low dispersion that reduce chromatic aberrations to deliver higher image quality.
-
Canon RF-S3.9mm f/3.5 STM Dual Fisheye
₹0.00Quick ViewVirtual Reality Storytelling
The lightweight RF-S3.9mm f/3.5 STM Dual Fisheye lens with Autofocus can capture 144-degree 3D stereoscopic visuals by utilising the parallax of the left and right fisheye lenses. This design allows a single sensor to receive light from both lenses, making it easier to record Virtual Reality content with just one camera.
- Dual-Lens STM Autofocus
- Streamlined Virtual Reality Production Workflow
- Large Aperture of f/3.5
Stepping Motor (STM)
The RF-S3.9mm f/3.5 STM Dual Fisheye has a gear-type stepping motor (STM) that utilises a dual-lens autofocus (AF) mechanism. This mechanism synchronously controls the movement of the left and right lenses.
AF becomes just as user-friendly as using a regular RF lens. An advanced microprocessor optimises the actuator control to align with the camera’s AF algorithm, resulting in fast and accurate autofocus.
Dual-Lens Electro Magnetic Diaphragm (EMD)
Both left and right lenses of the RF-S3.9mm f/3.5 STM Dual Fisheye feature EMD that controls exposure electronically.
The large aperture of the RF-S3.9mm f/3.5 STM Dual Fisheye performs well in low-light situations.
Two Types of Filters
The RF-S3.9mm f/3.5 STM Dual Fisheye has a rear filter holder that can hold either a gelatin filter or a screw-on (30.5mm) type filter.
Using a Neutral Density (ND) filter, you can shoot with a wider aperture even when shooting outdoors during the day.
ASC
Air Sphere Coating (ASC) is a coating technology that provides even more excellent anti-reflection properties than conventional vapour-deposition coatings.
Even with large-aperture lenses, ASC is used on curved glass surfaces to reduce lens flare and ghosting.
Adjustable Focus Differential
The RF-S3.9mm f/3.5 STM Dual Fisheye has an actuator that can independently drive only the right lens.
This enables the relative focus of the left and right lenses to be adjusted using the left-right focus difference adjustment mode switch and the focusing/control ring.
How Virtual Reality Imaging Works
Two Fisheye Lenses
Recording is done with parallax using two fisheye lenses on one sensor.
Conversion
The software converts recordings into equirectangular projections, a standard Virtual Reality format.
Projected to HMD
Cropped and converted recordings are projected into a head-mounted display (HMD) to simulate a human’s vision.
3D Realism
Due to the parallax effect, the recordings will appear 3-dimensional (3D) when viewed individually by the left and right eye.
Mechanism of Virtual Reality Recording
Single-Sensor Recording
With the RF-S3.9mm f/3.5 STM Dual Fisheye attached to the EOS R7 mirrorless camera, users can take advantage of the camera’s recording capabilities to create 4K 144-degrees VR footage by using just one camera on one sensor.
Two Cameras No Longer Required
Conventional VR recording requires aligning two cameras and syncing camera positions, with additional processes like colour matching and stitching required after shooting. The RF-S3.9mm f/3.5 STM Dual Fisheye and EOS R7 have a single-sensor recording capability, eliminating such hassles.
A More Efficient Workflow
The RF-S3.9mm f/3.5 STM Dual Fisheye enables recording on a single camera with one CMOS image sensor, thereby eliminating certain stages from the workflow that were previously necessary with a two-camera system, such as aligning the positions and synchronising the settings of the left and right cameras before the shoot, or the need to stitch images in post-production.
-
Canon RF24-105mm f/2.8L IS USM Z
₹0.00Quick ViewVersatile Large Aperture Standard Zoom
The RF24-105mm f/2.8 L IS USM Z is the first RF lens to feature iris control, giving filmmakers precise control over their creative expression. With a small f/stop of f/2.8 and 11-blade circular aperture, this lens allows you to achieve that coveted cinematic out-of-focus effect. But that’s not all – the lens also boasts up to 8 stops of image stabilisation, making handheld shots as steady as if they were taken on a tripod.
The dual Nano USM delivers fast, accurate and quiet AF that is perfect for video recording.
- Large f/2.8 Aperture & Iris Control
- Image Stabilisation of Up to 8 Stops
- Dual Nano USM & Up to 0.29x Magnification
0.29x Magnification
The RF24-105mm f/2.8L IS USM Z has a short minimum focusing distance of 0.45m (at 105mm) that allows you to get some really amazing close-up shots with magnification of up to 0.29x.
Beautiful Bokeh
The f/2.8 large aperture produces beautiful bokeh. It also enables a faster shutter speed or lower ISO for low-light conditions. In addition, its unique 11-blade circular aperture creates an amazingly exquisite out-of-focus effect.
Image Stabilisation
The RF24-105mm f/2.8L IS USM Z provides up to 5.5 stops of image stabilisation with its in-built Optical Image Stabilizer.
The lens supports Coordinated Control IS which provides up to 8 stops of image stabilisation when used with compatible cameras that have In-Body Image Stabilizer. This makes it ideal for handheld low-light shots, which typically calls for a tripod.
Smooth Video Recording
With the powerful coordinated stabilisation between the lens’s Optical Image Stabilizer and In-Body Image Stabilizer of compatible cameras, get smooth natural-looking video recording even while walking.
Focus Breathing Correction
When recording videos, a typical phenomenon that occurs is a ‘pulsing effect’ in the footage whereby the camera’s angle of view changes slightly during focus racking. The RF24-105mm f/2.8L IS USM Z addresses this by compensating for the change in field of view when the focus point is changed, resulting in seamless video recording.
Three IS Modes
Introduced for the first time on a standard zoom lens, the RF24-105mm f/2.8L IS USM Z has 3 selectable IS modes:
- IS Mode 1 for stationary subjects
- IS Mode 2 for panning
- IS Mode 3 for subjects with unpredictable movement
Superior
Image Quality
With two Nano USMs, the lens focuses very quickly and silently, making it suitable even for movie recording.
When combined with the newly improved floating focus system, the lens is able to suppress focus fluctuation when zooming to deliver outstanding image quality throughout the focusing range.
The RF24-105mm f/2.8L IS USM Z delivers superior image quality throughout the image, including the edges, with its innovative design and optical configuration made possible by the RF mount.
Aspherical Lenses
The RF24-105mm f/2.8L IS USM Z is the first to use replica aspheric lens with glass-molded (GMo) aspherical lenses to achieve superior image quality. The replica aspheric lens delivers superior surface precision while allowing for more design possibilities, which contributes to keeping the lens small.
UD Lenses
This lens uses four single Ultra-Low Dispersion (UD) lens elements with low refraction and low dispersion, reducing axial and magnetic chromatic aberrations to deliver higher image quality.
Air Sphere Coating (ASC)
Air Sphere Coating suppresses ghosting and reduces flare from your images through the innovative use of an anti-reflection technology that forms an ultra-low-refractive index layer on the elements within the lens.
Intuitively
Designed
Power Zoom Adapter PZ-E2
The RF24-105mm f/2.8L IS USM Z embodies the essence of both videography and photography. The lens has been engineered to accommodate the Power Zoom Adapter PZ-E2 which allows the user to achieve precise zoom speed adjustments and smooth zooming.
You can attach or remove the Power Zoom Adapter PZ-E2 with simple tool, making it convenient in the field
Iris Control
This lens is the first among RF lenses to have an iris ring for controlling aperture physically on the lens. Similar to a cinema lens, the user can enjoy light, smooth torque and intuitive control over aperture and exposure adjustment.
Non-Extending Zoom
The RF24-105mm f/2.8L IS USM Z adapts a fixed length design that keeps its centre of gravity balanced. This will benefit those who are looking to use this for video recording with accessories such as gimbal.
Easy Detachable Tripod Mount
This new tripod mount is designed to be attached and detached without needing a unique tool, providing more convenience for those who may switch between shooting styles.
Lens Function Buttons
Two customisable Lens Function buttons on the body of the lens allow you to instantly access various functions related to AF, exposure, connectivity, and more.
Dust & Drip Resistance
The lens has a dust- and drip-resistant construction that keeps dust and water droplets out.
Fluorine Coating
A smudge-resistant fluorine coating is applied on the front lens, preventing moisture and oil from sticking.
-
FujiFilm XF14mm F2.8 R – Black
₹85,999.00Quick ViewUltra Wide-angle Lens
Designed to capture images rich in perspective, this ultra-wide-angle lens with its extreme angle of view is the ideal choice. With minimized distortion and high resolution from the center to the periphery of the image frame, this lens has the versatility to capture not only powerful landscape and architectural photos, but also amazing image quality when shooting indoors in confined spaces. Using the focusing distance and depth-of-field scales on the focus ring, photographers can take intriguing snapshots that accentuate the depth of field.
Key Features
- X-Mount Lens/APS-C Format.
- 21mm (35mm Equivalent).
- Aperture Range: f/2.8 to f/22.
- Two Aspherical Elements.
- Three Extra-Low Dispersion Elements.
- Super EBC Coating.
-
FujiFilm XF16mmF1.4 R WR – Black
₹89,300.00Quick ViewThe XF16mmF1.4 R WR is a professional wide-angle prime lens. The bright maximum aperture of F1.4 and the ability to focus as close as 15cm means this lens can create beautiful bokeh and a unique perspective. This lens redefines your expectations of what a wide prime lens can do.
Key Features
- X-Mount Lens/APS-C Format.
- 24mm (35mm Equivalent).
- Aperture Range: f/1.4 to f/16.
- Two Aspherical Elements, Two ED Elements.
- Nano-GI and HT-EBC Coatings.
- Floating Focus System.
- Weather-Sealed Construction.
- Rounded 9-Blade Diaphragm.
-
FujiFilm XF16mmF2.8 R WR – Black
₹39,999.00Quick ViewCompact, lightweight, and stylish wide-angle lens for X Series.
The “FUJINON XF16mmF2.8 R WR” features a focal length equivalent to 24mm (in the 35mm format) and has a maximum aperture of F2.8. It helps to deliver the best results from Fujifilm’s unique X-Trans™*1 CMOS sensors. Small and lightweight, the lens offers very high-resolution performance due to the optical design. The XF16mmF2.8 R WR lens adopts an inner focusing system*2 driven by a stepping motor*3 for faster and quieter auto-focusing. Metal parts are used extensively on the exterior providing a premium yet robust feel, while the aperture and focusing rings have been designed to be comfortable and easy to use. The lens is also weather and dust resistant, and operates in temperatures as low as -10°C, making it ideal for shooting in a variety of conditions.
The XF16mmF2.8 R WR will expand the lineup of compact, lightweight, and stylish lenses, which currently includes the FUJINON XF23mmF2 R WR, XF35mmF2 R WR, and XF50mmF2 R WR, further broadening the appeal of FUJIFILM mirrorless digital cameras.
Key Features
- X-Mount Lens/APS-C Format
- 24mm (35mm Equivalent)
- Aperture Range: f/2.8 to f/22
- Two Aspherical Elements
- Super EBC Coating
- Stepping Autofocus Motor
- Weather-Sealed Construction
- Rounded 9-Blade Diaphragm
-
FujiFilm XF18mmF1.4 R LM WR – Black
₹103,999.00Quick ViewGet Up Close and Wide Open
Get up close and wide open with Fujifilm’s versatile FUJINON XF18mmF1.4 R LM WR, a professional, portable, and weather-resistant prime lens. With a focal length equivalent to 27mm, it’s the perfect choice for sprawling landscapes, the sights and sounds of the street, and everything else in between. Be ready for any creative outburst with lightning-fast autofocus, a wide F1.4 aperture, and unmatched optical design. XF18mmF1.4 R LM WR is ready to go wherever your adventures take you and fully capable of extracting every last bit of detail from your X Series mirrorless camera.
Key Features
- X-Mount Lens/APS-C Format
- 27mm (35mm Equivalent)
- Aperture Range: f/1.4 to f/16
- 3 Aspherical, 1 ED Optical Glass Element
- 15 Elements in 9 Groups
- Linear Autofocus Motor
- Minimum Focus Distance: 7.9″
- Locking “A” Position Aperture Ring
- Weather-Sealed Construction
- Rounded 9-Blade Diaphragm
-
FujiFilm XF18mmF2 R – Black
₹56,999.00Quick ViewCompact and Lightweight Wide Prime
This highly portable, easy-to-handle wide-angle lens has a field of view equivalent to 27mm in the 35mm film format so it’s perfect for landscapes, general snapshots, and by virtue of the 18cm minimum focusing distance, close-ups. The outstanding sharpness, combined with the maximum aperture of F2 for silky bokeh also makes it suitable for portraiture; the lens’ small size means your subjects won’t feel intimidated.
- Compact and lightweight “Pancake” type.
- Using glass-mold aspheric lenses at the 5th and 7th elements is effective in increasing the maximum aperture (5th element) and reducing the overall thickness of the lens (7th element).
- The final element, positioned as closely to the sensor as possible, makes the incidence angle of light reaching the sensor smaller and reduces vignetting and color shading while helping to keep the lens’s overall size small.
Key Features
- X-Mount Lens/APS-C Format
- 27mm (35mm Equivalent)
- Aperture Range: f/2 to f/16
- Two Aspherical Elements
- Super EBC Coating
- Rounded 7-Blade Diaphragm
-
Nikkor Z 40mm F/2
₹24,595.00Quick ViewThe NIKKOR Z 40mm f/2 is an ultra-compact prime you can rely on with any Z camera in just about any situation. Its wide enough for street work, landscapes and interiors but tight enough for authentic portraits and candid shots. It has a fast f/2 maximum aperture that powers through low lighting, helps freeze fast action and separates your subject from the background with a beautiful bokeh effect. And it does all of this with clarity, consistency and brightness that’s all Z.
Key Features
- Z-Mount Lens/FX Format
- Aperture Range: f/2 to f/16
- Two Aspherical Elements
- Super Integrated Coating
- Stepping Motor AF System
- Programmable Control Ring
- Rounded 9-Blade Diaphragm
-
Nikkor Z 50mm F/1.8 S Lens
₹39,500.00Quick ViewThe iconic go-to lens, totally reimagined. 50mm prime. An icon. Visionary perspective. Versatile focus depth. Capable of delivering striking, decisive images in nearly any light. Ideal for all manner of videos. The definition of a “go to” lens. It should be no surprise that Nikon chose the 50mm to be among the first of a new generation of superb NIKKOR Z lenses. And in doing so, have achieved a 50mm f/1.8 unlike any before it.
Key Features
- Z-Mount Lens/FX Format
- Aperture Range: f/1.8 to f/16
- Two ED and Two Aspherical Elements
- Nano Crystal & Super Integrated Coatings
- Stepping Motor AF System
- Programmable Control Ring
- Weather-Sealed Construction
- Rounded 9-Blade Diaphragm
-
Nikon NIKKOR Z 50MM F/1.2 S Lens
₹179,995.00Quick ViewAll the detail. All the sharpness. Hone your creative vision with the sharpest, fastest 50mm prime we’ve ever created. Extraordinary rendering power across the entire frame. Vast f/1.2 maximum aperture. Breakthrough autofocus. Liberating distortion and glare control. Weatherproof build. All empowered by Nikon’s revolutionary Z Mount, a system that shines with fast lenses. Dream it, and the NIKKOR Z 50mm f/1.2 S will do it.
Key Features
- Z-Mount Lens/FX Format
- Aperture Range: f/1.2 to f/16
- Two ED and Three Aspherical Elements
- ARNEO and Nano Crystal Coatings
- Multi-Focus Stepping Motor AF System
- Programmable Control Ring
- Information OLED Panel and L.Fn Button
- Weather-Sealed Design, Fluorine Coating
- Rounded 9-Blade Diaphragm
-
NiSi 150mm Q Filter Holder For Tamron 15-30mm
₹8,990.00Quick ViewUse of the filter holder is easily accomplished by first sliding it over a Tamron SP 15-30mm f/2.8 Di (VC or non-VC) USD lens’s integrated hood. The filter holder’s screw-on locking pins help to provide a reliable connection while the holder can be rotated 360°, permitting the use of graduated neutral density and other filters that are enhanced by varied positioning.
The NiSi 150mm Filter Holder for Tamron 15-30mm Lens is pre-installed with three pairs of filter slots, a configuration that accommodates up to three rectangular filters.
Allows filters to be conveniently used with a Tamron SP 15-30mm f/2.8 Di (VC or non-VC) USD lens without vignetting.
Holds 150mm-wide, 2mm-thick filters
Preconfigured to hold up to three rectangular filters
Screw-on locking pins allow for adjustment of filter holder’s grip
Can be rotated 360°, permitting the use of graduated neutral density and other filters that are enhanced by varied positioning
Durable, aluminum-alloy construction
Key Features
- For Tamron 15-30mm Di VC USD or Di USD
- For Filters 150mm-Wide, 2mm-Thick
- Holds up to 3 Rectangular Filters
- Rotates 360°
- Easy Installation
- Aluminum-Alloy Construction
